credits autechre - bronchus24

my visuals are algorithmic compositions. I compose visual music with parameter morphings. shapes and process. many parameters at the same time, from which I expect different effects. from experience or as a new idea. some of these work in opposite directions and together create unexpected reactions. I can deal with these spontaneously and immediately with many midi controllers and pc keys that control the basic parameters. Five different visuals can easily be created in a few days and nights in a row. on a piece of music very different versions, of which I see: I don't have it yet. pointless to include the sixth version. at intervals, sometimes weeks later, I work on it again. and sometimes I see: that's it !! (music has many aspects: shape, energy, mood, tempo .. I try to visualize at least some of them at the same time)

credits Dresden Xperience Schlösserland Sachsen,tamschickmediaspace,colorsound,vux,ndrv,usomo,matecdresden ,tempestenclosures

Official Project Site :https://www.tamschick.com/en/projects/festung-xperience/

Credits

Client

Staatliche Schlösser, Burgen und Gärten Sachsen gGmbH

Curator

Dr. Dirk Welich

Lead Agency / General Contractor

TAMSCHICK MEDIA+SPACE GmbH

TMS Tasks

Media-Based Scenography: Creative Direction, Creative Producing, Conception, Development of Script, Audio Drama and Music, Media Design, Media Production, Media Technology, Light Design, Fittings

Creative Lead

Charlotte Tamschick

Creative Producing

Jan Köpper

Project Management

Tobias Ziegler, Hanna Stoff

Ekaterina Petrova (Assistance)

Concept

Charlotte Tamschick, Jan Köpper, Elisa Broß, Camila Bernal Samper

Art Direction

Gaël Perrin

Motion Design

Gaël Perrin, Mattis Gutsche

Software Development

COLORSOUND-IXD S.L.

Abraham Manzanares, Julien Vullet , André Viergutz

Technical Planning

Planungsbüro Seeger, Dipl.-Ing. Björn Seeger

Script and Audio Direction

SchillerWendt GbR, Christian Schiller and Marianne Wendt with TAMSCHICK MEDIA+SPACE GmbH

Sound Design and Composition

Not A Machine GbR with TAMSCHICK MEDIA+SPACE GmbH

Audio System

usomo by FRAMED immersive projects GmbH & Co. KG

Light Planning

lichttransfer, Katrin Söncksen with TAMSCHICK MEDIA+SPACE GmbH

Media Technology

MATEC GmbH

Projector Enclosures

Tempest

Fittings

Design: Karin Knott

Realization: Stahlbau Altdöbern GmbH

Special Structures

Archimedes Exhibitions GmbH
Borodesign

credits blubb.media GmbH

More Info: https://www.blubbmedia.com/portfolio/literaturmuseum-der-moderne/ (german)

visual artist : Dimitra Zigaris

Concept

In the context of social media, visual recognition of ourselves as self-directed behaviour and at the same time as a remnant of evolutionary psychology, concludes a narcissistic capitulation of one's survival. Panoptic vision as a power mechanism requires that we observe and be observed and continually comparing ourselves to others, creating an imposter homogeneity. Goebbels stated, "If you have nothing to hide, you have nothing to fear”. The political system, with the moral alibi of “protecting the citizen from potential violations”, contemns the individual to a new form of surveillance similar to the panoptic control system proposed by Jeremy Bentham. Through the acceleration of overall internet traffic and the so on culture of "I have nothing to hide", individual rights cease to exist. Thus, a “pro” security form emerges, seeming progressive, but in fact is the opposite.

Materializing the idea

The installation is being consisted by a booth with a mounted mirror and a monitor (right and left side respectively), both are putted in round shaped frames resembling the well known social networking pages' profiles. The mirror stands for self identification and symbolizes the narcissistic aspect of us extrapolating the presence of the monitor on the other side of the booth.
Beneath the round shaped monitor (left side) there is a proximity sensor (connected to an Arduino) and an RGB camera which are both responsible for the motion detection, face recognition and capture.
When the spectator passes by and stands for a while in front of it her image will be captured so it will be revealed without her acknowledgement and few seconds after her departure to the rest of the upcoming visitors.
In order to succeed so both vvvv and VL with its amazing YOLO implementation were used in the benefit of quick recognition, storing images, checking distances and human presence as also for showing back the captured images by using a fairly simple logic.
The installation meant to be portable (rumbling) and compact in a sense that it is lightweight and everything fits in the booth without revealing any cables or the mechanism to the audience.