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I love non-standard game mechanics!
credits
Concept, production and video: VOLNA
Music and sound design: Sergey Kostyrko
Electronics assembly: Alexey Belyakov
Camera/photo: Polina Korotaeva, VOLNA
Special thanks: Artem Zotikov, Viktor Smolenskiy, William Cohen
Project commissioned by Roots United for Present Perfect Festival 2018
© VOLNA (2018)
http://www.volna-media.com/projects/rotor
The audiovisual installation "Rotor" was inspired by the idea of a time machine. While our creation does not transport people to the past or the future, it does something nearly as impossible in the information age: It helps viewers stay in and more fully experience the present moment, embedding them in a kind of permanent present, by watching the imaginary rotation of a light cylinder. Its shape is inspired by the so called Tipler cylinder time-machine concept, which is based on the assumption that an infinitely long cylindrical material volume rotating along its longitudinal axis could create certain space and time warps, making time travel possible.
credits Banco Santander, Edt eventos,otucinema,romera,colorsound,Augmented Laser,vvvv, vl
credits autechre <> garbage
credits music :: b12 - symbiotic form <> inspiration :: aldous huxley - the doors of perception
if we would be many tens-potencies smaller (or bigger) than we in "reality" are: we would see very amazing things! reality is relative. shamans and albert einstein knew that.
credits thanks to robert willner & marco ritter for their >> Weekend Workshop 'DX11.particles'@ NODE17 Forum for Digital Arts << ..and for the bad english so that I also understood everything (which is not always the case for workshops). DX11.Particles::great stuff! two years ago I started with dottore´s dx9 gpu particles shader library. very complicated to handle. but my gpu partially burned off because of a piece of advice that I did not quite understand. and that was it with dx9 particles. <<>> music :: stavroz - merci éclair
credits David Sherpa
This augmented reality mirror, based on point of view, superposes a virtual layer on reality. It tries to explore alternative medium for augmented/mixed reality. However, the same setup was already made by Microsoft Research in 2012 https://www.microsoft.com/en-us/research/video/holoflector/ .
Made possible thanks to the material lend by Stereolux, Nantes and the help of Charles Loisy (Stereolux multimedia manager).
credits Joshua von Hofen, Nils Nahrwold, Muthesius Kunsthochschule Kiel
Responsive Fabric
Joshua von Hofen
Nils Nahrwold
2015/16
Supervision by Prof. Tom Duscher and Chris Engler
A cloth that gives haptic feedback. It translates touch into sound and vision.
Made with vvvv and a Kinect 2 sensor.
The installation „Responsive Fabric“ turns an seemingly ordinary cloth into a tangible interface. An interaction with the surface of the fabric creates a multi-sensory experience that expands perception through a virtual layer. Touching the cloth generates acoustic and visual stimuli. By altering the physical form through pressing and stretching the fabric, the object also transforms visually and produces sounds. With the translation of haptics into sound and image, the object becomes an audiovisual instrument and an interface between reality and virtuality.Done at the Muthesius University for fine Arts and Design Kiel.
Currently shown at the Visible Sound Exhibition at Kunstkraftwerk Leipzig.
credits Moritz Aznan, Nils Nahrwold (@multiNIL), Muthesius Kunsthochschule Kiel
Aircade is the result of three month group project at the Muthesius University of Fine Arts and Design. It was developed by Moritz Aznan and Nils Nahrwold and supervised by prof. Frank Jacob as part of the Interface Design Masters program.
The idea was to upgrade the classic airhockey-table with digital technologies to change the game entirely. The focus besides developing the necessary soft- and hardware, lay on designing games that require dexterity, cleverness and precision, so the users can make up their own new tactics.
special thanks to chris (u7angel) and Jens (jens.a.e) for support!
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