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credits Markus Schuricht & Paul Schengber, Big Thanks to: dottore, woei for their outstanding contributions & nodes
"Milky Way" is an interactive light installation made with vvvv.
It was installed at Sisyphos Berlin from 01. - 04. of January 2016 in the entrance of the club.
The guests automatically interacted through their bodies with a projected galaxy on the ground and the walls. The dots on the ground can be pushed away by walking on it and the human body acts as an attractive force field for the dots on the walls.
We were not allowed to take pictures or videos of the installation during the event.
more onwisp-kollektiv.de
credits Shaul Tzemach, and Big thanks to contributors : Elliotwoods, Dominik koller, Luper, dottore, woei, unc, m4d, ArKano22, ivan.raster
Generative projection mapping experiment
Festival Light Night Tel Aviv, 24-27.12.2015
An attempt to decompose and rethink the architectural structure. It is based on random ways of blending different elements, creating the contradiction of an ever changing monument.
Sound made with pure data, thanks to experts martin brinkman, Coloscope.
Build your own magical light installation in just a few clicks.
Try it now at www.keybright.net ;)
Full details for setup at home: http://imgur.com/a/tQk54
Full story behind the keybright concept: http://keybright.net/story.html
In November 2012, I created a simple installation called Magic Keyboard (https://vimeo.com/45154003). At the time, the project was only running on my laptop and wasn't ready to be opened on any device. It was part of a prototyping series blending digital projected elements bouncing with physical behaviors on real-world objects.
All these prototypes were quickly made on my personal time with the toolkit vvvv and the Box2D plugin by @mrvux.
I also had some great support from Moment Factory for the hardware and the LAB space.
In November 2015, the magic keyboard gained a lot of interest for a week. A lot of people seemed to be willing to try it at home.
It had been a long time since I wanted to make an opensource project that would allow people to create something together at home. So I took some time and gathered the elements to make this happen in the webbrowser. The installation had to be as simple as possible with just a quick drag and drop calibration.
It's now available to anyone to try and improve in the form of a simple full screen website :)
Follow keybright on facebook for updates
https://www.facebook.com/keybright.net
Installation on three touch screens Multitaction Cell 55 combined in one wall. We produced informational content and presentation about plants and products of the company.
art-director: Roma Erohnovich
producer: Sergey Kostenevich, Vera Malysheva
motion-designer: Maxim Malakhov
programmer: Alexey Rudenko
video
"google his story" ist eine interaktive Datenvisualisierung, die sich mit einem bedeutenden, gegenwärtigen Thema
auseinander setzt: dem Sammeln von Daten.
Wie viele Daten gibt man eigentlich preis? Was können andere aus meinen eigenen Daten ablesen? Was wird alles gespeichert?
Diese und weitere Fragen bildeten den Rahmen des Projekts.
Um darauf Antworten zu finden, habe ich den frei für jeden Google-Nutzer zugänglichen "Takeout" Service von Google benutzt.
Hier kann man Informationen über Suchanfragen, Positionsdaten, Cloud-Speicher-Verlauf, und viele mehr erhalten.
Ich habe mich in "google his story" auf die Suche nach meinen eigenen Spuren im Internet gemacht und mich hierfür auf meine Suchanfragen mitsamt Zeitstempel fokussiert.
Aus diesen eindimensionalen Zahlen, habe ich eine begehbare Datenvisualisierung entwickelt, die man mit Gesten steuern kann.
"google his story" is an interactive data visualization that deals with an important, current topic
sets apart: the collection of data.
How much data you are actually cheap? What can other read from my own data? What is stored everything?
These and other questions formed the framework of the project.
In order to find answers, I've used the freely accessible for every Google user "Takeout" service from Google.
Here you can information about searches, position data, cloud storage history, and get many more.
I have made myself into "google his story" in the search for my own footsteps on the Internet and focused on me for this my searches along with timestamps.
For these one-dimensional figures, I have developed a walk-in data visualization which can be controlled with gestures.
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sound
sound: “Seeing The Future” (by Dexter Britain)
soundsource : http://freemusicarchive.org/music/Dexter_Britain/Creative_Commons_Volume_2/Seeing_The_Future
soundlicenses: http://creativecommons.org/licenses/by-nc-sa/3.0/us/
Public art commission for 350 Mission Building in City of San Francisco, California.
‘Virtual Depictions:San Francisco’ is a public art project consist of series of parametric data sculptures that tell the story of the city and people around us within a unique artistic approach for 350 Mission’s media wall in collaboration with Kilroy Realty Corporation / John Kilroy and Skidmore, Owings & Merrill LLP Architects.
The main idea of ‘Virtual Depictions:San Francisco’ is to bring 21st century approach to public art to define new poetics of space through media arts and architecture and to create a unique parametric data sculptures that has an intelligence, memory and culture. Through architectural transformations of media wall located in 350 Mission’ lobby, main motivation with this seminal media architecture approach is to frame this experience with a meticulously abstract and cinematic site-specific data-driven narration. As a result, this media wall turns into a spectacular public event making direct and phantasmagorical connections to its surroundings through simultaneous juxtapositions. The project also intends to contribute to contemporary discourse of public art by proposing a hybrid blend of media arts and architecture in 21st century.
When creating this public artwork my goal was to make the invisible visible by embedding media arts into architecture to create a new way to experience a living urban space.
6MM LED Media Wall.
Custom Software, 90 minutes long dynamic visual experience in 12 chapters.
8 Channel sound.
Music for documentation: Goldmund - Threnody (Unseen-Music)
Sound Design: Kerim Karaoglu
CREDITS
Virtual Depictions: San Francisco By Refik Anadol
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Commissioned by: Kilroy Realty Corporation
John B. Kilroy, Jr.
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In cooperation with:
The City of San Francisco
Mayor Ed Lee
John Rahaim, Director of Planning
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Project Partners:
Arup
Sensory Interactive
Sansi North America
Skidmore, Owings, and Merrill LLP
Webcor Builders
WSP | Parsons Brinckerhoff
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Art Consultant:
DPA Fine Art Consulting
Deanna Postil Krawczyk – Michelle Isenberg
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Refik Anadol Studios: Refik Anadol / Efsun Erkilic / Raman K. Mustafa
Kian Khiaban / Toby Heinemann / Rob Tom Browning / Bahadir Dagdelen / Yusuf Emre Kucur
Daghan Cam / Sebastian Neitsch / Johannes Timpernagel / Sebastian Huber / Kerim Karaoglu
Studio Management by DG Hunt & Associates, LLC
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Special Thanks: Nicole Stromsness / Sarah MacIntyre / Douglas Giesey / Craig Hartman
Michael Fukutome / Eric Cole / Josh Cushner / Eric Covrig / Jason Cox / Pat Green
Julie Goodwin / Amanda Brownlee / Shannon Knuth
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Copyright 2015 Refik Anadol Studios
credits everyoneishappy and intothelight for their noodles and pointcloud contribs
Installation made for Bratislava, Slovakia Nuit Blanche event.
It is very basic in terms of visuals, this was essentialy my first work with noodles system and particles. Had to take out a lot of details and simplify it just to one big figure, because I requested totally different projectors then i got (instead of fullhd ST i got 2 1024x720 office oldies).
Aim was to work around style of Zuzana Sabova, her raw sketchy drawing and the Black Hole sculpture which is in the middle. It did interacted with particles but it was barely visible because of the projectors quality.
I have more 3d scans, which i plan to use in future and follow her style even closer. But i really like the sound, it was done in reaktor with help of contribution i made - Reaktor vobject OSC.
Interactive video installation by Robert Pörschke, displaying the Swedish national costume, controlled by light sensors and a microphone.
A part of the group exhibition (Verklighetens) Folkdräkt with Art Mobile at Galleri K in Västerås in August 2015.
First time I used both MIDI CPU from Highlyliquid and the programming enviroment VVVV. Both worked better than I expected. More to come I bet.
http://www.highlyliquid.com/
http://www.dogblessyourart.com/
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