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credits bit_arTék
- Capture DMX channels via a connection artnet for subsequent processing
- Screenplay with thumbnail animations scheduled
- Various modes of the user interface to have more information or desktop space
- Programming Console or performance
- As a driver you can use the table itself lighting, a midi controller or an application OSC
- Includes a 3D simulator to display in programming the lighting and visual generated
- The simulator has a virtual camera control and rendering options Outbreak
- Generated graphics can be displayed on projection screens, LED, or be mapped in the spotlight
- Polygon tool mapping
- Packs are created in DirectX: 2D and 3D graphics shaders, filters, particle systems ...
vvvv is an excellent development environment
We can establish the bridge between the human and the machine that rhythm is part of the signal: one must know how to read it.
credits S. Retschitzegger, M. Retschitzegger, J. Holzer, W. Glökler, H. Richter, D. Huber, A. Hernandez, J. Schmidt, A. Manzanares, S. Rosinski, M. Steinbeck, N. Matveiev
MAGENTA1 MAPPING
At IFA 2014, Telekom launched its new Magenta 1 pricing scheme via a large-scale mapping production. Based on a concept and architecture by q bus, the Magenta 1 CI was staged in space to impressive effect using hundreds of physical “trixel elements” affixed to the stand’s exterior surfaces as well as a central sculpture.
m box brought these trixels to life via generative projection mapping – and then combined these projections with large-scale embedded moving images. To this end, the m box vvvv based media servers served a total of 48 projectors with graphic modules – all generated in real-time. This generative feed enabled flexible adjustments of the contents on location and optimization for spatial effects.
The basic atmospheric visuals (several scenic loops) were regularly interrupted by an immersive 1-minute “Magenta Eins” production: Throughout this interlude, the entire trade fair booth underwent an even more striking media transformation due to further dimming of the lights and a synchronized 360° soundtrack.
In addition, m box also programmed and designed audio-reactive modules for band PAs and a stage performance with laser tracking controls for the central media sculpture.
credits
www.surrealred.com
www.eventstructure.com
Aaaajiao
Xu Cong
枯山水 (karesansui) or "dry landscape" garden, often called a zen garden, creates a miniature stylised landscape through carefully composed arrangements of rocks, water features, moss, pruned trees and bushes, and uses gravel or sand that is raked to represent ripples in water.Create a peaceful, quiet at the moment, contains a "trend" that is what engraved movement, this "potential", is power: a power of growth, but also in the rest of the instant motion, inaction.
credits
www.surrealred.com
www.eventstructure.com
Aaajiao
Xu Cong
Introduction:
BodyShadow creates a particle system which explains Merdian-collateral theory of Traditional Chinese Medicine in your 3d-scan body model. You can produce new kind of tattoo images by using this system. BodyShadow is programed with vvvv and Bullet Physics.
This is an opensource project, and all the file can be found in GitHub.
GitHubhttps://github.com/aaajiao/body-shadow
Morehttp://surrealred.com/Body-Shadow
credits Nans Bortuzzo
ARTISTIC DIRECTOR PROGRAMMING AND VISUAL: Nans Bortuzzo
DANCER IN THE VIDEO: Isabelle Arcand
The world of interactive devices is used for the purpose of confusing dance and visual arts. The interdependence between the media and responsiveness of video-projections in relation to the music and the movements of the dancer is the center of the performance.
www.nansbortuzzo.com
credits Nans Bortuzzo
ARTISTIC DIRECTOR, VVVV PROGRAMMING: Nans Bortuzzo
DANCER IN THE VIDEO: Anne-Caroline Boidin
The world of interactive devices is used for the purpose of confusing dance and visual arts. The interdependence between the media and responsiveness of video-projections in relation to the music and the movements of the dancer is the center of the performance.
www.nansbortuzzo.com
credits
www.onformative.com
www.strichpunkt-design.de
Cedric Kiefer
Tobias Nusser, Arístides García (lasal)
Christopher Warnow
The data wall is the centerpiece of the new headquarter of Stockholm based payment company Klarna; visualizing their world wide business activity in real-time.
More:http://www.onformative.com/work/klarna-data-wall/
credits Visuals and Editing by APMOHNKA | Directed by Prince$$ ドーナツ
I did some basic visuals and we recorded this video for a friend of mine:
https://www.youtube.com/watch?v=w1dmxMHxJ0c
credits Refik Anadol (Video Artist), Sebastian Neitsch & Woeishi Lean (Senior Generative Designers), Dave Hunt (Artistic Management), Efsun Erkilic (Executive Producer), Raman K. Mustafa (Senior 3D Designer), Simon Russell (Senior Animator), Bahadir Dagdelen + Michael Hsiu + Kian Khiaban + Toby Heinemann + Laurence Menor (Junior Animators) and Jarad Solomon (Research Assistant).
Audio/Visual Performance
conducted by Esa-pakka Salonen, performed by Los Angeles Philharmonic
6th of November, 2014
Walt Disney Concert Hall, Los Angeles
anonymous user login
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