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credits Sebastian Huber, Johannes Timpernagel, Michael Burk, Moritz Haberkorn, büroberlin, & more
EPILOG is an interactive room installation applying light, sound and haze. By immersing into a 25-minute constantly transforming world of moving images and sounds, you are invited to swing into interaction by physically replying to the moving patterns – either on your own or together with others.
An interactive floor projection reacting to your movements in real time gets the visitor moving and, through the movement creating three-dimensional spaces made of light.
Tracking cameras, fog and a smooth double-projection are spawning searchlights, reactive light walls and rays bouncing off your body.
Each of the eleven scenes follows a unique principle: Whether you are chased by a simulated, abstract school of fish, or your movements brand into the fog and leave behind a swath out of light. Real time generated sound illustrates the movements and intensifies the immersive experience.
credits elliotwoods mimison
Introduction
A vertical flag of fabric is stroked by the wind, displaced by curves aof air pressure, swinging back and forth. As it sweeps, it extrudes a trail of light which draws a moon floating in space. The flag renders this moon from another reality, the silk surface acts as a boundary between 2 realities, intermediating the laws of the 2 realms.
Inspired by the 2 moons of Haruki Murakami's 1Q84 and the flags of space travel, the artists present a portal into another existence where another moon orbits. This other place is made material by the fabric of the flag.
Long exposure photography trades the dimension of time for a dimension of space, extruding the moon into existence on a set of photographic prints, the technology capturing a painting, enacted by the details of the wind.
Lunar Surface begins a new line of enquiry for drawing into the air for studio Kimchi and Chips, forming artistic collaborations between technology and nature. The fabric is tracked by a 3D camera whilst a projector replays a response onto it according to its evolving shape.
Articles
Kimchi and Chips
credits SILO Lab.
I’ve become curious about how individuals would feel when they could not get to see familiar objects any longer. Incandescent lamps have been forgotten among people. They are replaced with the other things due to some logical reasons, and regulations have kept them from being produced in more numbers. Well, I did not use incandescent lamps that much. Although I did not cherish them that much, I am giving my farewell to those who are becoming hard to be found.
VENUE & SUPPORT
GENTLE MONSTER, QUANTUM
WOOD WORK
NULLPAN nullpan.com
이하영(HAYOUNG LEE)
MUSIC
Dario Lupo(Need a Name) needanamemusic.com
Steve Gibbs soundcloud.com/stevegibbs
Cyrus Reynolds soundcloud.com/cyrusreynolds
SOUND SYSTEM
COSMOTEC cosmotec.asia
SOFTWARE
vvvv
HARDWARE
ARTNET Devices, Incandescent lamps x 78
STRUCTURE
Frame made of wood waste
https://vimeo.com/96687865
http://silolab.kr/?portfolio=mysterious-fire
credits lowercut,vux,unc,m4d,dottore,colorsound,microdee
Dear vvvvsers, I am pleased to introduce to you one of the first (if not the only) video-clip production in Greece, made by free and open-source software. Specifically, in order to complete the project vvvv and DirectX11/HLSL were used for both the initial composition of the image and the addition of visual effects. Furthermore, Blender was utilized for the editing, post-processing and final export of the film.
music by Lower Cut (download album free)
video by nissidis
Big thanks goes to,
vux, unc, m4d, dottore, colorsound, microdee for their constant and valuable offer via the vvvv community forum.
credits tamschick,vux,aivenhoe,colorsound
Visitors pass different zones while moving through the exhibition.
The Intro shows illustrations of 8 Objects representing the technologies to be discussed in the upcoming „TING“-Debates combined with contradictory quotes reflecting on the relationship between democracy
and technology.
Then a basic wooden block, analog to the digital pixel, becomes a haptic tool for visitors to trigger digital interactions within the exhibition and to cast their votes within the TING.
Moving further a section with iconic objects serves as case study area, that demonstrates that the value and impact of the technologies behind can be interpreted in many positive and negative ways.
There is not one meaning or truth, but many possible uses and impacts.
The centerpiece of the exhibition is the grand amphitheater-like space of the TING
credits tamschick,vux,colorsound
The completely projected 400 sqm space interactively tells the story of the Kingdom Wu.
Visitors are immersed in a 15-minute story about the rise of the Kingdom of Wu during the Spring and Autumn Period between 514–496 BC. We created a unique visual style as a mix of cinematic martial arts scenes shot in Shanghai combined with paint-style animations.
The completely projected 400 sqm space interactively tells the story of the Kingdom Wu.
Visitors are immersed in a 15-minute story about the rise of the Kingdom of Wu during the Spring and Autumn Period between 514–496 BC. We created a unique visual style as a mix of cinematic martial arts scenes shot in Shanghai combined with paint-style animations.
The linear storytelling is enhanced with interactive elements that reinforce the visitors’ feeling of being transported back in time, away to king HelV’s coming into power, his fight for hegemony, the victory at the battle of Boju and other great legends of that period.
credits Alessandra Giannotta, Caterina Lani, Stefano Mancini, Qin Qi.
Hyperbook is a low cost, interactive media station, inspired by the MIT “NeverEnding Drawing Machine”, that turns a book into a support for different types of content unrelated to its paper nature.
Hyperbook was realized with the multipurpose toolkit vvvv by the students of the “Creative Coding and Video Music Course” of the Academy of Fine Arts, Urbino Italy.
Students: Alessandra Giannotta, Caterina Lani, Stefano Mancini, Qin Qi. Professor: Davide Riboli.
credits k-sine - Audio nero.txt - Video Luca Moroni
credits Geometrica Studio
After some months busy, we are proud to show the making of the Fashion Week Parade show For Aristocrazy Jewels in Madrid.
A real challenge in my career , and a big step for Geometrica.
15 minutes of show, handle by VVVV .
All the aspects of the show where controlled by the underestimated and useful timeliner node. Dont ask how i achieved it, just after lots of nights without sleep.
I developed a custom Video to DMX Module to to control Led strips and moving heads, and lots of realtime patches for the LED Screens,all in symphony with a midi timecode.
Hardware used:
2 PC workstations running vvvv (DMX, Motion Graphics and Video)
1 Imac´s (audio control + madmapper).
24 Sharpy moving heads.
100 mt Of white LED strip.
25 mt of RGB LED strip.
5 DMX dimmers 27 channels.
Martin F20 led screen.
PROLED 6 mm led screen.
Chamsys MagicQ Console
Thanks to all the crew for the support , it was an amazing experience,
Enjoy!
Please, use CC subtitles.
credits Music composition: Mária Júdová Tracking system: Andrej Boleslavský ((user:id144)) Camera and editing: Mária Júdová Sound: Petr Zábrodský Thanks to: Institute Of Intermedia
http://mariajudova.nethttp://id144.org
Short music piece composed specifically for AR.Drone 2.0 Parrot Quadricopter. It consists of the sound synthesis generated by Drone’s movement in the space as well as the sound of engines. When the tracker detects the drone flying in defined area it generates data, which is then interpreted using a pre-defined algorithm in an open source visual programming language Pure Data. In this way the Drone shapes and structures musical material and becomes an instrument.
Drone is controlled via FreeFlight application running on iPad. Depth image from Kinect sensor is evaluated by the Kinect Virtual Hitboxes DX11 patch in vvvv which detects the drone’s location in the space (more precisely its relative position inside the bounding-box). A vvvv is sending it to Pure Data, which are transmitting it to a music system. When a quadcopter flies into the defined area it generates musical pattern sequences based upon a predefined algorithm. In this way the drone takes control over the sound synthesis.
anonymous user login
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